In late 1990s the classic Eurodance sound gradually morphed into progressive house. Nevertheless, in the second half of the decade the popularity of Eurodance started to decline, and " Scatman's World" by Scatman John was the last major hit of the original Eurodance sound in the Eurochart Hot 100, being number 1 for 3 weeks between late August and early September 1995. Notably, the group 2 Unlimited wanted to remain within Eurodance sounds in order to remain chartbusters, although the producer De Coster predicted a retreat from a poppy to a more clubby sound. Despite its success, many observers within the music industry said that the Eurodance sound had to change or die, and Eurodance producers and singers started to follow different paths and different sounds, such as happy hardcore and house music, but not all the groups followed this trend immediately. īy 1995, Eurodance dominated European charts with 5 singles in the top 10 of the singles charts. In the same period the popularity of the genre also expanded further to East Asia, in nations such as Japan, South Korea and Taiwan towards the end of the golden era also in Russia. Vain" by Culture Beat also in the same year (number 1 in 13 countries), " Cotton Eye Joe" by Rednex in 1994 (number 1 in 12 countries) and " Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" by Scatman John in the same year (number 1 in 9 countries).
Alban in 1992 (number 1 in 8 countries), " No Limit" by Belgian/Dutch group 2 Unlimited in 1993 (number 1 in 14 countries, it was Europe's biggest-selling song for 1993), " What Is Love" by Haddaway in the same year (number 1 in 13 countries), " Mr. The notable songs which defined the genre in this period, dubbed as the "golden era" of Eurodance, are " It's My Life" by Dr. From 1992 till the decline of popularity after 1995, the sound became more and more NRG-oriented, leading to songs raising in B.P.M.
After the breakthrough single " Rhythm is a Dancer" by Snap! in 1992 (number 1 in 12 countries), new groups started to pop up all over Europe, mainly in Belgium, Netherlands and Italy. In the following years, other Eurodance acts formed in Frankfurt, including Jam and Spoon, Intermission and Culture Beat. Snap!'s first single, " The Power", released in 1990, reached number one in the Netherlands, Spain, Switzerland and the United Kingdom, and it helped to raise awareness of the genre within Europe. By doing so a new genre was born: Eurodance. Snap! songs combined imported hip hop and soul vocals adding rhythm by using computer technology and mixing electronic sounds, bass and drums, mainly house music. In the same year, German producers Michael Münzing and Luca Anzilotti (under the pseudonyms Benito Benites and John "Virgo" Garrett III) formed the Snap! project in Frankfurt. East German DJ Paul van Dyk has remarked that the techno-based rave scene was a major force in re-establishing social connections between East and West Germany during the unification period.
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On 9 November 1989, the Berlin Wall fell free underground techno parties mushroomed in East Berlin, and a rave scene comparable to that in the UK was established. It reached number one in Belgium and Spain, and it popularised the house variant called hip house in Europe. On 27 September 1989, Technotronic's single " Pump Up the Jam" was released. It contained the Korg M1's "house piano" which can be found in many Eurodance releases. 1 in the United Kingdom and it was the UK's best-selling single of 1989. On 19 July 1989, Black Box's single " Ride on Time" was released. It was conceived as a political demonstration for peace and international understanding through love and music. The parade first occurred in July 1989, when 150 people took to the streets in Berlin. Motte established the Ufo Club, an illegal party venue, and co-founded the Love Parade. The following year saw acid house making a significant impact on popular consciousness in Germany and central Europe as it had in England. By 1987, a German party scene was started by Tauseef Alam, based on the well established Chicago house sound and Belgian new beat in Frankfurt. Eurodance music originated in the late 1980s in central Europe, especially in Germany, where rave parties were becoming popular.
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